The Walrus is a Philadelphia-based music blog written by Michael. You may send me stuff through the send a tip page or email me. All mp3s should be sent as links. NO ATTACHMENTS, PLEASE. If I like your music, chances are I will write about it.
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mp3s on this site are for promotional purposes only. If you wish to have an mp3 removed please contact me.
The perfect thing to leave you with for the Halloween weekend. Bizarre, somewhat frightening and highly entertaining. For more info about the video, check out Pitchfork’s exclusive interview with the band.
Look at this, just in time for Halloween! Trippy and insanely fun Austin band The Octopus Project recently stopped by the Art in the Age store in Philly for an in-store performance and these rad videos are the result. They performed a track from their new album Hexadecagon and one of my favorites – “Music is Happiness”, from their 2005 album One Ten Hundred Thousand Million. Yvonne’s Theremin playing is other-worldly!
Austin’s instrumental psych outfit Octopus Project continue to refine their sound and expand your mindgrapes with Hexadecagon, which is streaming now on Spinner.
This new track from Philly’s favorite indie son, Kurt Vile, gives us a taste of his forthcoming album due out next year. It’s cleaner and shinier than his debut, but no less enjoyable. Have a listen…
Here is some more rad Philly music for ya. Sweet Lights conjure up an ethereal, epic mix of Pernice Brothers, old My Morning Jacket and that unexplainable thing that gives you goosebumps.
The self-titled album was co-produced and mixed by Jeff Zeigler, the man behind Kurt Vile’s highly praised Childish Prodigy and you can stream it and purchase it here for $7 or more.
Check out Soars, another PA band on the rise, getting some love for their awesome new video on Stereogum:
“Jamie Harley directed this eerie, moving video with clips from the 1960 Japanese horror film Jigoku. The title translates to “Hell” (watch the original trailer at YouTube). The depictions of hell — fire and brimstone, heads stuck in the dirt (no skull-gnawing, though) adds some hard edges to the Pennsylvania band’s foggy, drifting single.”